....At the end of his essay on Dreiser, Mencken manages to pull out of himself what I take to be his finest single thought, as beautifully expressed as it ever has been, by anyone. Summing Dreiser up one last time, Mencken writes: “His moving impulse is no flabby yearning to teach, to expound, to make simple; it is that ‘obscure inner necessity’ of which Conrad tells us, the irrepressible creative passion of a genuine artist, standing spell-bound before the impenetrable enigma that is life, enamored by the strange beauty that plays over its sordidness, challenged to a wondering and half-terrified sort of representation of what passes understanding.”
Ironically, with that one sentence, Mencken redeemed American literature (at least for a minute or two) and realized something of the promise that Emerson and Whitman had gestured to with such profound, irrational hope. But with Mencken, there is no glorious tale to tell, just the desire that someone express the crappy truth as the only glory we’re likely to grasp....
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